Scale Pattern Shapes

Pattern 1 starts with the root, Pattern 2 starts with the second note of the respective scales, pattern 3 with the third, etc. The reason your 3rd diagram is named Pattern 1 is that even though the fingering is identical to diagram 1 pattern 5, it is pattern 1 of a minor pentatonic scale where the root note is the first note on the low E string.

Deselect the Objects check box and select the Patterns check box. Then enter a value in the Angle box to rotate just the pattern within the object see Figure 5. Moving a Pattern Within a Shape. You also can move a pattern within a selected object Select the object with the pattern fill. Click the Selection tool in the toolbox.

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Pro Tip Try to visualize the shape of the related chord with every scale shape you learn in this lesson. Notice where the root note locations are, and use them to help you understand and remember each shape. Shape 2 The second scale shape will start with your second finger on the 5th fret of our 6th string. This position is related to a D major chord shape.

One common system for creating linear patterns involves grouping the notes of a scale in a series of symmetrical two string-set shapes and repeating them up the fretboard. FIGURE 1A applies this concept to the G minor pentatonic scale G-Bb-C-D-F. All of the scale's pitches are represented in a five-note symmetrical pattern established on

This is applicable to literally any scale pattern you know. Find the root and repeat the exact same pattern shifting on the B string to accommodate the guitar tuning. For example I check google for scale shapes - one place says 5 shapes, other place 7 shapes, the 5 shapes in one place are different than the other place , it's a fucking mess

Essential Scale Patterns For Guitar 2 The foundation of many aspects of guitar playing rests in learning and practicing scales. open chord 'shape'. The ackronym CAGED helps to remember the order of the patterns as they ascend the fretboard. The diagrams are displayed horizontally. The numbers on each note represent suggested

The tablature shows you how to play each scale shape ascending and descending. Tips - Practice the scale shapes with a pick using alternate picking technique down, up, down, up, etc. - Practice slowly first and make sure each note sounds clean and clear. - Try to visualize the chord shape in each scale shape. - Make sure you can play

Tip Since these diagrams have intervals instead of specific note names you can view this chart as a recipe for any major scale, not just C-Major. The patterns will be identical for all major keys. For example, to get CAGED patterns for the G-Major scale you just need to align the E-shape's pattern 1 root tone on the 3rd fret of the lowest 6th string you can also align the G-shape with the

In CAGED Part 1, we saw how the CAGED system can be used to help beginner-intermediate players to visualise the chords shapes across the fretboard.Today we'll apply the same idea to scale shapes. As we've seen see CAGED Part 1, for fingering patterns to overlap we need to ensure that the roots link up properly.As long as we know our root octave shapes we can build ANY shape scale, chord